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National Portrait Gallery’s ‘Every Eye is Upon Me’ Focuses on American First Ladies | Arts & Theater

Helen “Nellie” Louise Herron Taft sits in the garden of the White House with the mansion in the distance. She is known for the 3,020 Japanese cherry trees that she planted on the Capitol grounds and along the Tidal Basin in Washington, DC, after visiting Japan in 1900, rightly believing they would add great beauty to the national capital.

While there are various forms of portraiture, including the very personal form of a silhouette of Abigail Adams, there is only one sculpture: the bust portrait of “Harriet Lane Johnston” (1873) by William Henry Rinehart . Lane was the first lady of her unmarried uncle James Buchanan. This rare piece of work showcases her bare shoulders above a deep plunging neckline, a style she put in fashion when she changed her inaugural ball gown by lowering it by 2 inches.

The power and influence of the first ladies of the 20th century, such as Edith Wilson, Eleanor Roosevelt and Nancy Reagan, is well documented. Less is known about the first ladies. The final gallery begins with Martha Washington, who was to create the role. Dolley Madison is depicted in an oil painting from 1848, when she was 80, wearing her signature turban. She had first served as a hostess for Thomas Jefferson, then as first lady when her husband was president. She would be considered the country’s first lady for years with her own power base.

While modern first ladies are portrayed in media as diverse as magazine covers and campaign buttons, among the first ladies is a special miniature portrait. Elizabeth Monroe is represented in a creation by the Franco-Swiss artist Louis Sené, which allowed James Monroe to carry it in his pocket.


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Donald Trump Photo Now in the National Portrait Gallery, Internet Asks “Strings Tied to Putin’s Photo?” “

A photo of former President Donald Trump has been included in the Smithsonian’s National Portrait Gallery. The gallery was closed due to the coronavirus pandemic, but will reopen on May 14. Trump’s photo, which was captured by photographer Pari Dukovic in 2019 for Time magazine, is believed to have been installed in the museum’s signature exhibit, “America’s Presidents.”

According to the museum’s official website, the image was “taken on June 17, 2019, the day before Trump officially announced he would be running again.” He added: “This photograph shows him at the Resolute Desk, which has been in the White House almost continuously since 1880.”

The note in Trump’s photo continues: “The flags in the background, placed in the office during Trump’s presidency, reflect the five branches of the armed forces (left to right): Army, Marine Corps, Navy , Air Force and Coast Guard. in the background (left) is Asher B. Durand’s portrait of Andrew Jackson (1835), a character to whom President Trump frequently referred. Right, a portrait of Benjamin Franklin (circa 1785) by Joseph Duplessis, on loan to the White House from the National Portrait Gallery.

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Apparently, “America’s Presidents” is the only place outside the White House where portraits of all of the presidents of the United States are available. Besides the photos, details about the leaders, their tenure and the challenges they faced can also be found in the exhibit. It has been said that Dukovic’s Trump photo will remain in the museum until his official portrait is ready. It replaced Kehinde Wiley’s portrayal of 44th President Barack Obama, who is due to tour several cities for a year with Amy Sherald’s painting of former first lady Michelle Obama from June.

Donald Trump heads to Marine One in Battle Creek, Michigan, December 18, 2019 (Getty Images)

“There is always a sense of transition when we install a new presidential portrait. We are a museum that reflects art history and biography, and we can celebrate presidents with portraits that are historical documents, ”said Dorothy Moss, curator of painting and sculpture at the gallery.

He also explained that brief biographical information about the presidents is written by historians and museum curators. “We look at the US Presidency as a whole. We don’t include critical comments, but we are even in our ratings. It’s a collaborative process. A lot of people are looking at it. There is a lot of discussion, ”he added.

Leslie Ureña, curator of photographs, told the Washington Post of Dukovic’s photo: “I love the composition of the photograph. It’s an angle you don’t often see. You get a bit of the other side and what is behind the desk.

Donald Trump hugs the American flag during a campaign in Tampa, Florida on October 24, 2016 (Getty Images)

Meanwhile, Twitter was buzzing after Trump’s photo was installed at the museum. One user asked, “Will there be strings attached to Putin’s photo?” The second said, “Do they have a ‘Warning for sensitive viewers’ sign or at least a safe space for people who are easily offended? “Trump will be happy. I think the eyeliner adds that little extra something. Official trump portrait, ”one person wrote and added,“ Was it this one that didn’t sell at auction, so Melania had to buy it so as not to embarrass the male child? #Cheese ball. “

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Donald Trump’s portrait replaces that of Barack Obama at the Smithsonian National Portrait Gallery

Donald Trump is again replacing Barack Obama.

The 45th president will replace the 44th president of the Smithsonian when the National Portrait Gallery reopens six months after closing amid lockdowns from the Covid pandemic.

The museum announced that its newly acquired photograph of Mr. Trump will reopen its signature exhibit, “America’s Presidents” on May 14.

“There is always a sense of transition when we install a new presidential portrait,” said Dorothy Moss, curator of painting and sculpture at the gallery. The Washington Post.

He replaces a portrait of Mr Obama with Kehinde Wiley. This piece is slated for a one-year tour with a painting of Michelle Obama by artist Amy Sherald. Mr. Obama will continue to be featured in the gallery in the form of Shepard Fairey’s iconic “Hope”.

Taken by photographer Pari Dukovic while on a mission to Time magazine on June 17, 2019, it shows Mr. Trump at the Resolute Desk a day before officially announcing his re-election campaign.

The curator of the photographs of the exhibition, Leslie Ureña, told the To post that she liked the historical merit and artistic composition captured by Mr. Dukovic, who also photographed Mr. Obama for the memoir cover A promised land.

“It’s an angle we don’t see often. You get a bit of the other side and what’s behind the desk, ”she said. “We not only want to represent the individual, but also to bring as much history, as much context as possible.”

While the accompanying blurb praises Mr. Trump’s accomplishments in record unemployment, immigration restrictions and three Supreme Court justices, it also highlights two out of two acquittals. indictments, the handling of the Covid pandemic and the refusal to concede the loss of the presidency to Joe Biden – leading to the capture of the Capitol.

The Trump Photo is a temporary exhibit while the museum awaits an official order for new photographs of former President and First Lady Melania Trump.

Anticipating the public objection to the commission, museum director Kim Sajet said Smithsonian magazine they have “a lot of people saying, ‘Well, let’s get over a president’”.

“There is no moral test for being in the Portrait Gallery. Otherwise, no one would be there, ”she said.


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The Cleveland Photo Fest brings cutting edge photography exhibits to the city

After a year of uncertainty, a team of local photographers bring artistic relief to Cleveland with the 2021 Cleveland Photo Festival (CPF). “Unity through photography” is the perfect motto for CPF, as the event aims to bring together professional and amateur photographers in artistic expression. After a year of planning, Laura D’Alessandro, Jim Szudy and Herb Ascherman, Jr. are finally directing CPF.

Jim Szudy – Sam NortonThe festival will kick off with its first event on Saturday May 1, followed by a calendar full of different themes photography exhibitions, interactive media installations and other socially distant events. The CPF runs until Wednesday June 30.

This year’s CPF announcement garnered several hundred submissions, Ascherman says. “It was a major effort, for which we are extremely grateful,” he says. The Botwick Design Art Initiative, 2729 Prospect Ave., is the anchor point of CPF Photothon, which includes the I Identify Myself as exhibits: “Where participants photograph a randomly selected partner from a different racial background; »Furtography -« a spectacle for dogs, in their most noble and elegant; Dear Diary, “Show us your secrets, for women only; And Deja Nude – “Upbeat, enlightened, and just plain fun.” The exhibitions will run throughout the duration of CPF.

In addition to the Botwick, more than 40 venues will also host installations and works of art throughout the eight-week festival.

The places include Prama Art Studio in Parma, The Bonfoey Gallery downtown, BayArts in Bay Village, and the Greater Cleveland LGBT Community Center on Detroit Avenue. Special events and guest speakers are scheduled at the Botwick every thursday evening.

Coinciding with the special Thursday night programs, multimedia artists will also be presented with experimental music soundscapes and 2D and 3D image projections in the spaces of the Botwick Gallery. “Another dynamic aspect [is] we involve different local artists who usually wouldn’t have this platform to showcase their art, more and more as we move forward, ”says Szudy of the musicians and sound technicians involved.

In 2019, the CPF team got together after photographer and educator D’Alessandro felt Cleveland needed more photo exhibitions and asked, “Where are all the photographs? We need to bring the community together. “

Karen Novak – SadieD’Alessandro then approached Ascherman, a decades-long mainstay of the photography world who launched the first nonprofit photography gallery in Cleveland in the 1970s. After an exchange of ideas and a common desire to bring together the arts community, D’Alessandro and Ascherman agreed something had to be done.

Thanks to mutual friends in the art world, Szudy came to help us. Photographer, multimedia technician and musician, Szudy suited the trio perfectly. The first CPF exploded onto the scene in less than six months when it launched in 2019. “The organization has organized 21 exhibitions across the city in 16 different venues and 256 different photographers,” says Ascherman.

Since CPF’s founding, the team has been inundated with support from art galleries, curators, and even print houses offering their services. Then came the COVID-19 pandemic. “Our biggest hurdle and factor was the unknown,” Ascherman explains of how the team sailed to get CPF off the ground for the 2021 event.

This year’s festival has grown even further with several venues in the Cleveland area. The team say they believe in Cleveland and want to bring the city together in celebration of art. “We are a city promotion organization,” Szudy says. “We have Cleveland in our foresight and our concept. ”

While art exhibit openings typically include food and drink, today’s times require things to work a little differently. “There won’t be any props for the grand gallery openings,” said Ascherman, describing the different feel of upcoming events without the cocktail additions. “We really focus on the art. There is definitely a new paradigm in the art world.

As the openings approach, the team believes that with the proper protocols of mask warrants and gallery distancing, the events will be a safe and welcome respite. “People really want to go out,” Ascherman says. “And if we can do it in a socially responsible way, we can all do it as a community social event.”


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Commercial spaces of the National Portrait Gallery

The winning team selected for the contract valued at £ 25,000 to £ 50,000 will design and deliver a pair of new retail spaces in the Grade I listed Trafalgar Square building, which is currently closed as it undergoes a refurbishment of £ 35.5 million.

The project, slated for completion in 2023, will create a new boutique in the museum’s former Victorian Porter Gallery and another smaller exhibition shop on the first floor. The main goals include providing a future-proof retail area and a “holistic and ambitious experience” for visitors.

According to the brief: “The gallery previously had a gift shop, bookstore and exhibition shop, none of which were on the main visitor routes inside and outside the gallery. The existing store layouts are largely outdated and do not match the rest of the galleries and we want to take this opportunity to deliver a more holistic experience with retail spaces as beautiful and immersive as the gallery spaces and extend the experience of a collection visit.

“In the renovated building there will be two new retail spaces and the existing showroom on the ground floor will remain in its current position. We want the project to be respectful of the environment in its use of materials, its approach to recycling and reuse and its longevity. The design must also respond to the space as an environment that staff find operationally simple and easy to maintain and adapt. ‘

The National Portrait Gallery was established in 1856 and moved to its current premises at St Martin’s Place near St Martin-in-the-Fields in 1896. Today the museum’s collection comprises around 12,400 portraits, including paintings , sculptures, miniatures, drawings, prints and photographs.

Jamie Fobert Architects and Purcell won a competition in 2018 for the £ 35.5million renovation of the National Portrait Gallery. The AJ understands that other practices vying for the post included David Adjaye, OMA, Farshid Moussavi, 6a, Caruso St John and Haworth Tompkins.

The Inspiring People: Transforming our National Portrait Gallery project represents the biggest improvement in the history of the building designed by Ewan Christian in 1896 and comes 20 years after the opening of Dixon Jones’ Ondaatje wing, increasing the space by 50% exposure.

Approved by Westminster City Council two years ago, the modernization project will increase the space of the public gallery by around 20%, with its east wing, which is part of the original building, reused as new Weston wing.

It also includes the creation of a “more welcoming and generous” entrance and square on the north facade of the gallery. Fobert’s design for the forecourt floor presents a contemporary interpretation of a fan motif that cuts through the gallery’s original mosaic floors.

The development also includes a complete reinterpretation of the gallery’s collection through 40 renovated spaces and a new learning center. The architects will work with engineers Max Fordham and Price & Myers, and Nissen Richards Studio who was appointed interpretive designer for the project in March.

Bids for the delivery of the new retail spaces will be evaluated at 80% on quality and 20% on cost. The deadline for submitting applications is April 29 at 5 p.m.

How to register

Consult the contract notice for more information

Contact details

Jim baker
National portrait gallery
2 Place Saint-Martin
London
WC2H 0HE

Phone. : 02073122476
Email: [email protected]


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Photography Exposes All Shades of Nature – 100 Mile House Free Press

A celebration of South Cariboo and natural world photographers is taking place at the Parkside Gallery this month with the Nuances of nature exposure.

The exhibition, which features photographs by Melonie Eva, Donna Marshall, Katherine Stocks, Monika Paterson and Sonja Olsen, contains over 100 photos of animals, the natural landscape and more. The show began in 2019 when Eva wanted to showcase the works of her fellow Cariboo photographers.

She invited 36 photographers from the region. “It was well received, but unfortunately COVID-19 hit, so we had to delay everything for a year and with that delay we went from eight people participating to five,” she said.

Despite fewer photographers, Eva’s vision remains unchanged. Nuances of nature is intended to show various aspects of nature, from the impact of people on nature, to the textures and colors of nature and its inhabitants. The exhibit was inspired by COVID-19 closures last year which led to less pollution and the return of animals to cities and waterways.

Each photograph includes details such as camera settings, the animal’s endangered status, and price. Unlike most exhibits, Eva said gallery visitors can purchase artwork right off the wall and take it home, as it will turn into more than 154 different photographs throughout the month.

Most of the photos come from workshops Eva has organized for her fellow photographers and include images from Africa, India, Madagascar, Alaska and across Canada. Photographers used a variety of creative techniques, including the use of black and white, one of Eva’s favorites.

READ MORE: The Syrian Civil War Explored at the Parkside Gallery

“The color is the makeup and if we take the makeup and the clothes and the exterior off, we see the soul,” she said.

Marshal and Paterson, on the other hand, do offer a bit of abstract photography and like to try to bring different elements into their work, Eva said. Olsen, a newbie to fine art photography, has shown a marvelous eye before, Eva added, while much of Stock’s work, meanwhile, comes from the region, including some “remarkable aerial views. Of the Wells Gray stunts she took from a helicopter.

“All photographers, their work has come this far, and they really should take their work out and start selling it because they are so good,” Eva said.

Eva said the show not only showcased the work of her students and colleagues, but pushed them out of their comfort zone to try new things. She has seen their art style develop over the past few years and seen a lot of them take their photography to the next level, so she wanted it to shine.

During the Zoom meetings, Eva explained to her fellow photographers the basics of creating a show, from budgeting to marketing and how best to print photographs. Part of her passion for helping other photographers develop stems from her own mentorship with landscape photographer Carol Polich, who helped her break into the world of professional photography.

Nuances of nature takes place from April 9 to May 8 at the Parkside Art Gallery.

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Trump portrait to debut at National Portrait Gallery

A painting of former President Donald Trump will be unveiled when the National Portrait Gallery reopens, but it will not be the official portrait, which is still in the works.

The National Portrait Gallery contains the official portraits of each former Commander-in-Chief.
Getty Images

The gallery, which contains the official portraits of each former commander-in-chief, is still in talks with Trump over the process, which can take up to two years, the Washingtonian reported.

People visit the America's Presidents exhibit at the National Portrait Gallery in Washington on January 19, 2013
When the time comes, the museum will invite Trump, his family, and guests to the grand opening.
AFP via Getty Images

When the time comes, the museum will invite Trump, his family, and guests to the grand opening.

It should also welcome the mass of MAGA supporters who are expected to flock to DC to see the official portrait of 45.

“We are a non-partisan institution and understand that there are public opinions on both sides of the fence,” National Portrait Gallery director Kim Sajet told the Washingtonian in a statement.

“As with all recent presidential commissions, we are not in a position to speculate on how visitors will receive the portraits once completed. That’s the beauty of the portrait: the way it is received is always different for different people.

The gallery has not announced a reopening date.


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DC Portrait Gallery to Unveil Trump Portrait as the Real Whimsical Gets Up + More Stories

Art Industry News is a daily digest of the most important developments in the art world and the art market. Here’s what you need to know on Thursday April 1.

NEED TO READ

UK museums face more pandemic cuts – Museum directors are making new employment costs as UK faces dangerous third wave. The Victoria & Albert Museum in London said curatorial staff faced a 20% cut, or around 30 positions. The institution is also merging and restructuring departments, such as the Islamic sections of the Middle East and Asia with sub-Saharan Africa and Diasporic African art. Critics warn that the process could garner valuable expertise. (BRONZER)

The Weeknd is also making NFT art now – Musician Abel Tesfaye, known as The Weeknd, is releasing new song and original art with Nifty Gateway on Saturday. Three different works of art developed by Strange Loop Studios will accompany different clips of the unreleased song in an unlimited edition. “Blockchain democratizes an industry that has always been closed by gatekeepers,” the musician said. (TechCrunch)

Trump arrives at the National Portrait Gallery in DC – The museum is set to unveil a fictional portrait of the former president in its America’s Presidents gallery while his official order remains in progress. (The last one, you’ll recall, was created by Kehinde Wiley.) The gallery says it’s in the early stages of the ordering process, which is done in concert with the former president and can take up to two. years ; no artist has been announced. (Washingtonian)

Greenville Museum sells rare Alma Thomas work – A painting by African-American artist Alma Thomas has sold for a record $ 2.8 million to a mystery shopper. Alma Flower Garden, produced between 1968 and 1970, was part of the collection of the Greenville County Museum of Art until its transfer. A curator of a recent Thomas exhibition said news of the sale and its unknown buyer had struck like “a bomb.” (Greenville Online)

ARTS MARKET

Phillips & Poly Auction Announce Joint Sale – Following their successful collaboration in Hong Kong over the summer, the two auction houses plan to hold a joint sale of 20th century and contemporary art and design on June 7-8. The action will be broadcast live from Phillips’ site in Hong Kong to Poly’s auction house in Beijing. . (Press release)

Baseball Cards Get Crypto Processing – Goldin Auctions, which focuses on sports memorabilia, has announced that it will accept cryptocurrency as a form of payment, becoming one of the first traditional auction houses to do so. He has already accepted crypto for a Jay-Z card that sold for $ 103,200 on March 20. (Bloomberg)

Zeno X from Antwerp will represent Pélagie Gbaguidi – The Dakar-born artist, whose practice focuses on colonial and postcolonial history, had never signed with a gallery before. She had an acclaimed installation at Documenta 14 in Kassel in 2017 and was included in the Berlin Biennale in 2020. (Press release)

ARRIVALS AND AISLES

Los Angeles Museums Prepare for Reopening – Los Angeles museums, which have been closed for nearly a year, are considering reopening now that they have the green light from the city. The Hammer Museum and the Huntington Museum will reopen on April 17. The Los Angeles Museum of Contemporary Art reopens today. (Los Angeles Magazine)

The chief restorer of the Sistine Chapel has died – Maestro Gianluigi Colalucci, who directed the restorations of Michelangelo’s frescoes in the Sistine Chapel from 1980 to 1994, has died at the age of 92. (AFP)

FOR THE LOVE OF ART

Artist sues Iowa College for altering sculptures – Sculptor Molly Mason took legal action against Kirkwood Community College after learning that its staff altered their massive stainless steel and water installation by emptying the surrounding pool, shutting down the fountains and replacing the water with earth and shrubs. The move, she says, damages her reputation and turns her job into an “overgrown planter.” (Register of Monks)

National Gallery Designs Show Just For Mobile Phones – The National Gallery in London has launched its first exhibition designed exclusively for mobile phones, focusing on the Renaissance altarpiece by Jan Gossaert The Adoration of Kings, which tells the story of the birth of Jesus. Visitors will be able to zoom in on the work and discover six related poetry readings by British-Nigerian poet Theresa Lola. (Observer)

that of Jan Gossaert The worship of kings. National Gallery, London, England. Photo: VCG Wilson / Corbis via Getty Images.

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Chanel stages feminist coup at National Portrait Gallery

The National Portrait Gallery is now closed for a major renovation until 2023, and while losing access to the NPG for a number of years is a bitter pill to swallow, it will be worth it, not least because Chanel is now involved. in the reorganization of the gallery’s permanent collection. According to a March 17 statement, the house will play a key role in the Reframing the stories: women in the portrait project, which aims to ‘highlight the often overlooked stories of individual women who have shaped British history and culture’.

‘Marie-Louise von Motesiczky’ by Marie-Louise von Motesiczky, 1959, courtesy of the National Portrait Gallery.

National Portrait Gallery London

Chanel appointed curator Dr Flavia Frigeri to lead the initiative. “I’m excited to find other meaningful ways to put women in the spotlight and tell urgent, untold stories that expand definitions of greatness,” the acclaimed art historian said of the news. Not only will Frigeri and her team revisit the NPG archives to highlight more portraits of female and / or female artists, but Chanel will help the gallery acquire and commission portraits of pioneer women. Currently, the NPG online catalog lists 53,812 works with male subjects compared to only 17,632 works with female models.

‘Georgina Masson’ by Horace Ové, 2002, courtesy of Horace Ové and the National Portrait Gallery.

National Portrait Gallery London

The Reframing the stories: women in the portrait The program already has a list of artists who will be at the heart of their research. Included in their numbers: Edwardian photographer Alice Hughes, who captured fashionable society in the early decades of the 20th century; deeply eccentric 18th-century wax sculptor Patience Lovell Wright; and Austrian-born painter Marie-Louise von Motesiczky, an aristocratic designer renowned for her self-portraits. In terms of subjects, on the other hand, Frigeri plans to focus on actor Anna May Wong; novelist Radclyffe Hall; Georgina Masson, the first black woman to join the Auxiliary Territorial Service; British spy Noor Inayat Khan; and author Alma Reville, previously widely known as the wife of Alfred Hitchcock. Coco would approve.

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Harriet Schwarzrock’s Glass Hearts to Illuminate New National Portrait Gallery Exhibition | Canberra weather

news, latest news,

A wall of glass hearts perhaps extends the concept of the portrait, but they’re perfect for a show that revolves around love. And the National Portrait Gallery’s Director of Collections and Exhibitions, Sandra Bruce, wants to broaden public expectations as much as possible when it comes to the gallery’s next major exhibition. Designed and created by local artist Harriet Schwarzrock, Space Between Movement and Stillness aims to explore different forms of love, as well as the connections and interactions we have with those we love. Schwarzrock handcrafted each of the hearts and filled them with inert gas that erupts in color, motion and light when stimulated by electricity. Glass hearts are a “sculptural plasma ball,” she said, and are surrounded by an electromagnetic field that reacts when in close proximity to another heart or person. “They [the hearts] even relate to simple proximity, being just close enough to them, then we ground the work, ”Schwarzrock said.“ You can calm the fast moving shapes or animate a more subtle shape, which we do for others. “The Australian Love Stories installation is a bit of an obvious title, but we wanted to broaden the audience’s expectations around the exhibit,” Ms. Bruce said. It’s not just about romantic love, it’s not about romantic love. is not just intimate love, it’s about all the permutations of love. ”Working with an artist like Harriet on a work that really speaks to the physiology of love was such an exciting thing to do. do. ”Schwarzrock added that while COVID hasn’t changed her creative process, it has changed the way she perceives and understands her work.” COVID likely influenced my way of thinking about work, and in this environment where l ‘you can’t touch the job the way it was designed, it just reiterates the idea of ​​these subtle interactions and the way we respond to each other, “she said. Our reporters are working hard to deliver. local and up-to-date news to the community. Here’s how you s can continue to access our trusted content:

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