Photography exhibits – Myers Portrait Thu, 23 Sep 2021 20:50:48 +0000 en-US hourly 1 Photography exhibits – Myers Portrait 32 32 The Cleveland Photo Fest brings cutting edge photography exhibits to the city Tue, 20 Apr 2021 07:00:00 +0000

After a year of uncertainty, a team of local photographers bring artistic relief to Cleveland with the 2021 Cleveland Photo Festival (CPF). “Unity through photography” is the perfect motto for CPF, as the event aims to bring together professional and amateur photographers in artistic expression. After a year of planning, Laura D’Alessandro, Jim Szudy and Herb Ascherman, Jr. are finally directing CPF.

Jim Szudy – Sam NortonThe festival will kick off with its first event on Saturday May 1, followed by a calendar full of different themes photography exhibitions, interactive media installations and other socially distant events. The CPF runs until Wednesday June 30.

This year’s CPF announcement garnered several hundred submissions, Ascherman says. “It was a major effort, for which we are extremely grateful,” he says. The Botwick Design Art Initiative, 2729 Prospect Ave., is the anchor point of CPF Photothon, which includes the I Identify Myself as exhibits: “Where participants photograph a randomly selected partner from a different racial background; »Furtography -« a spectacle for dogs, in their most noble and elegant; Dear Diary, “Show us your secrets, for women only; And Deja Nude – “Upbeat, enlightened, and just plain fun.” The exhibitions will run throughout the duration of CPF.

In addition to the Botwick, more than 40 venues will also host installations and works of art throughout the eight-week festival.

The places include Prama Art Studio in Parma, The Bonfoey Gallery downtown, BayArts in Bay Village, and the Greater Cleveland LGBT Community Center on Detroit Avenue. Special events and guest speakers are scheduled at the Botwick every thursday evening.

Coinciding with the special Thursday night programs, multimedia artists will also be presented with experimental music soundscapes and 2D and 3D image projections in the spaces of the Botwick Gallery. “Another dynamic aspect [is] we involve different local artists who usually wouldn’t have this platform to showcase their art, more and more as we move forward, ”says Szudy of the musicians and sound technicians involved.

In 2019, the CPF team got together after photographer and educator D’Alessandro felt Cleveland needed more photo exhibitions and asked, “Where are all the photographs? We need to bring the community together. “

Karen Novak – SadieD’Alessandro then approached Ascherman, a decades-long mainstay of the photography world who launched the first nonprofit photography gallery in Cleveland in the 1970s. After an exchange of ideas and a common desire to bring together the arts community, D’Alessandro and Ascherman agreed something had to be done.

Thanks to mutual friends in the art world, Szudy came to help us. Photographer, multimedia technician and musician, Szudy suited the trio perfectly. The first CPF exploded onto the scene in less than six months when it launched in 2019. “The organization has organized 21 exhibitions across the city in 16 different venues and 256 different photographers,” says Ascherman.

Since CPF’s founding, the team has been inundated with support from art galleries, curators, and even print houses offering their services. Then came the COVID-19 pandemic. “Our biggest hurdle and factor was the unknown,” Ascherman explains of how the team sailed to get CPF off the ground for the 2021 event.

This year’s festival has grown even further with several venues in the Cleveland area. The team say they believe in Cleveland and want to bring the city together in celebration of art. “We are a city promotion organization,” Szudy says. “We have Cleveland in our foresight and our concept. ”

While art exhibit openings typically include food and drink, today’s times require things to work a little differently. “There won’t be any props for the grand gallery openings,” said Ascherman, describing the different feel of upcoming events without the cocktail additions. “We really focus on the art. There is definitely a new paradigm in the art world.

As the openings approach, the team believes that with the proper protocols of mask warrants and gallery distancing, the events will be a safe and welcome respite. “People really want to go out,” Ascherman says. “And if we can do it in a socially responsible way, we can all do it as a community social event.”

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Photography Exposes All Shades of Nature – 100 Mile House Free Press Fri, 09 Apr 2021 07:00:00 +0000

A celebration of South Cariboo and natural world photographers is taking place at the Parkside Gallery this month with the Nuances of nature exposure.

The exhibition, which features photographs by Melonie Eva, Donna Marshall, Katherine Stocks, Monika Paterson and Sonja Olsen, contains over 100 photos of animals, the natural landscape and more. The show began in 2019 when Eva wanted to showcase the works of her fellow Cariboo photographers.

She invited 36 photographers from the region. “It was well received, but unfortunately COVID-19 hit, so we had to delay everything for a year and with that delay we went from eight people participating to five,” she said.

Despite fewer photographers, Eva’s vision remains unchanged. Nuances of nature is intended to show various aspects of nature, from the impact of people on nature, to the textures and colors of nature and its inhabitants. The exhibit was inspired by COVID-19 closures last year which led to less pollution and the return of animals to cities and waterways.

Each photograph includes details such as camera settings, the animal’s endangered status, and price. Unlike most exhibits, Eva said gallery visitors can purchase artwork right off the wall and take it home, as it will turn into more than 154 different photographs throughout the month.

Most of the photos come from workshops Eva has organized for her fellow photographers and include images from Africa, India, Madagascar, Alaska and across Canada. Photographers used a variety of creative techniques, including the use of black and white, one of Eva’s favorites.

READ MORE: The Syrian Civil War Explored at the Parkside Gallery

“The color is the makeup and if we take the makeup and the clothes and the exterior off, we see the soul,” she said.

Marshal and Paterson, on the other hand, do offer a bit of abstract photography and like to try to bring different elements into their work, Eva said. Olsen, a newbie to fine art photography, has shown a marvelous eye before, Eva added, while much of Stock’s work, meanwhile, comes from the region, including some “remarkable aerial views. Of the Wells Gray stunts she took from a helicopter.

“All photographers, their work has come this far, and they really should take their work out and start selling it because they are so good,” Eva said.

Eva said the show not only showcased the work of her students and colleagues, but pushed them out of their comfort zone to try new things. She has seen their art style develop over the past few years and seen a lot of them take their photography to the next level, so she wanted it to shine.

During the Zoom meetings, Eva explained to her fellow photographers the basics of creating a show, from budgeting to marketing and how best to print photographs. Part of her passion for helping other photographers develop stems from her own mentorship with landscape photographer Carol Polich, who helped her break into the world of professional photography.

Nuances of nature takes place from April 9 to May 8 at the Parkside Art Gallery.
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Photography Exhibits Offer a Unique Experience in the Age of Instagram | Entertainment Thu, 26 Sep 2019 07:00:00 +0000

Most Americans walk around with multi-megapixel cameras in their pockets. It’s easier than ever to take a great photo and show it to thousands of people.

Nonetheless, seeing stunning photographs, printed, framed and kept on the gallery walls, is a unique, special and unusual experience in the Instagram age, said Jeff Harrington, owner and director of the Mpls Photo Center, the one of the many photography galleries around the Twin Cities.

“We only see them on social media, and we see them very small on small screens,” Harrington said. The exhibitions, on the other hand, allow the photographs to mix and interact.

“You walk in and you are enveloped by the power of the images, the presentation, which is often very thoughtful. “

The work of local, national and international photographers constantly roams the exhibitions of the metropolitan area. The Photo Center, for example, is starting its Not Accepted exhibit this month, highlighting 60 works of the hundreds not accepted by the Minneapolis State Fair this year.

Exhibits in central northeast Minneapolis are free and open to the public six days a week and cover all varieties and genres of photography, including street and collage, Harrington said.

Apart from its exhibitions, the center offers classes, a studio, a darkroom, a computer lab and printing services for photographers of all skill levels. It also often hosts calls for nominations for paneled shows that anyone can try out.

“You can do it all here photographically,” Harrington said.

Across town, off Lyndale Avenue, the Weinstein Hammons Gallery features a roster of internationally renowned photographers such as Cass Bird and Robert Mapplethorpe. Its exhibitions are also free.

On the exhibition now is a mix of several of the artists. On October 18, the gallery will open “Volta Photo”, an exhibition of several dozen black and white studio portraits of Burkinabè photographer Sanle Sory from the 1960s to the 1980s.

The images capture their subjects’ escapes from everyday life in a rapidly changing, flourishing and postcolonial country, according to a press release from the gallery.

“Photography is a witness to everything, a kind of proof of life,” Sory wrote.

Other galleries featuring photographs include the Praxis Photo Arts Center and the Minneapolis Institute of Art, both in Minneapolis.

Like the Mpls Photo Center, Praxis also offers printing services, workshops and calls for applications.

Submissions for its “After Dark” nocturnal photography exhibit are expected by September 30, according to its website. “The Found Object”, a call for entries focusing on still life photos of all kinds of objects, is expected on October 30.

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Pittsburgh Photo Exhibits Say ‘We’re All Connected’ Fri, 22 Mar 2019 07:00:00 +0000

Andrea London has been a portrait photographer for 30 years. She works from her studio in the heart of Shadyside, where she films everyone – individuals and families – in the same way: in black and white, on film, on a neutral background. And she says she always let her portraits speak for themselves.

But during the 2016 presidential campaign, letting the images speak became insufficient.

“With racism, hatred and xenophobia starting to surface, which became much more common during the presidential election, and which has worsened since then, I decided that I could no longer let my portraits speak for me. “, she says. “I started looking for people who are often seen as the other – members of the LGBT community, immigrants, refugees, people with disabilities, the elderly.

“Sean And Jewel” is one of the portraits of “We Are All Related”.

The result is “We are all related, A two-part project that includes a gallery exhibit in downtown Pittsburgh and a public art installation in East Liberty, both open this weekend. As the shows build on three decades of work in London, she says, many of the dozens of images have been shot over the past two and a half years.

The subjects in the portrait represent a representative sample of residents of the region, with a wide variety of ages, skin colors, national origins and gender identities: a transgender man, a family whose patriarch was recently deported and a blind woman whose parents fought to get her to attend a public elementary school. One of the portraits is of a Nepalese refugee couple, recent immigrants who, the first time she photographed them, were expecting twins; the second time she shot them was with their twin daughters, who were born American citizens.

“The theme of this project is that at some level of human experience that transcends who we are, what we look like, where we come from, who we revere or love, that we are all connected on some level very basic human, “she says.

“The project is not about me, it is not about the people in the photographs,” adds London. “It’s about all of us.

The Downtown exhibit, which opens Friday, will wrap the 937 Liberty Gallery at the Pittsburgh Cultural Trust with 62 portraits ranging in height from 7 inches to over 7 feet. There is also a 16-minute video of portrait subjects telling their stories, and a tapestry that combines portions of images of their faces with samples of the clothes they were wearing when they were photographed – a “fabric of the cloth”. Literal ‘humanity’, says London.


Credit Grace Wong / Courtesy of the Pittsburgh Cultural Trust


Courtesy of the Pittsburgh Cultural Trust

Photographer Andrea London poses with some of her portraits.

The public art installation consists of 53 portraits, each 8 feet tall, hung from the first-floor windows of a new but unoccupied commercial building at the corner of Penn and Center avenues (across from Penn from Target). Some of the images and subjects overlap with those in the gallery exhibit. The installation includes the words “We Are Related” in the 17 languages ​​represented by the subjects.

London said she wanted to place the facility in East Liberty “because I think it’s a community that has gone through a lot of difficult changes over the past few years.”

When asked if she was referring to the gentrification of the neighborhood, which has displaced many longtime African American businesses and residents, London replied: “Inclusiveness is the theme of this project.

London says she consulted with community activists in East Liberty before proceeding with the installation. Window space was donated by Mosites Construction & Development Company. Other funders include The Opportunity Fund.

The facility officially opens with a free celebration on Sundays at the Penn and Center, including food and live music. London adds: “A lot of [portrait subjects] who are in the facility will be there to celebrate with us, and I can’t wait to introduce them to the community.

The exhibition and installation will remain in place until May 12. A book of the exhibit will be available at local bookstores, 937 Liberty, and online.

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Kathy Harmon-Luber exhibits photographs at the Artspresso gallery • Idyllwild Town Crier Thu, 19 Jul 2018 07:00:00 +0000
Kathy Harmon-Luber’s photo exhibition “Dream Blossoms: Dreams Blossom” opens on Saturday.
Photo by David Johnson

Overcoming setbacks is often a transformational journey and so is prolific artist Kathy Harmon-Luber. His new series of photographs titled “Dream Blossoms: Dreams Blossom” features a sparkling array of flowers at various stages of development. The artistic alliance of artist of the year Idyllwild and artist Idyllwild Deer, Harmon-Luber was debilitated and bedridden for 18 months following a ruptured disc in his back.

“One evening, on his way home from teaching, my husband Ken bought me a beautiful bouquet of coral-colored roses,” recalls Harmon-Luber. Recognizing that I couldn’t hold the camera for long, I pulled out my dusty tripod, mounted my camera so as not to stress my fragile back, and started “photographing” them. Well, I’ve been taking flower photos since I was 16… but never with the passion, intensity and inspiration of continual discovery that I have found exploring the world of flowers today!

“So the adventure began. Joy returned to my soul. I felt like after more than a year of suffering, I was starting to see a little bit of my old self coming back. And my dreams started to blossom through the exploration of those dreams.

You are invited to view the series and speak with Harmon-Luber at the opening reception from noon to 5 p.m. on Saturday, July 21 at Artspresso, 54380 North Circle Drive. The exhibition takes place in early fall.

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Two Miami photography exhibitions showcase Miami Beach as it was, Mexico as it could be Fri, 04 Aug 2017 07:00:00 +0000

On South Beach, from

On South Beach, from “South Beach, 1974-1990: Photographs of a Jewish Community” on HistoryMiami, from October 27, 2017 to April 1, 2018.

Gay Block

Photography is an adept art form, capable of capturing everything from the raw reality of existence to fantastic dreamscapes. At the Patricia & Phillip Frost Art Museum FIU, the seemingly simple documentary work in “Becoming Mexico: The Photographs of Manuel Carrillo” provides a sometimes brutal counterpoint to the often surreal illusions of an accompanying exhibition, “Possible Worlds: Photography and Fiction in contemporary Mexican art At HistoryMiami, “Tropical Wildlife: Portraits of Miamians, 1991-1996” demonstrates the powerful alchemy of photography and journalism.

At the Frost Art Museum, Manuel Carrillo’s gelatin silver prints – which are part of the permanent collection – are an outgrowth of the Mexicanidad movement that began in the 1920s, when artists such as Diego Rivera dismissed European influences in favor of of distinctive Mexican sensibilities. The untouched rural Mexico that Rivera celebrated faded through the years between the 1950s and 1970s, when Carrillo took his photos of working shoemakers in street stalls and peasant women in shawls in places like Toluca. Carrillo’s images smell of the beginning of the 20th century, but in fact the photos are calculated nostalgia, an attempt to hold back time.

A separate exhibition, “Possible Worlds”, is presented in collaboration with the Mexican Cultural Institute and offers fully staged contemporary photos, in tune with the dreams and nightmares of the modern world. Daniela Edburg contributes to a series of spooky endgame storylines, including “Atomic Picnic”. In the image, a healthy-looking family is having a picnic with a view of a nuclear explosion and serving a cake with an atomic symbol on top.

This being Mexico, the oversized myth and provocation – à la Frida Kahlo – are still part of the package. In a series of photos by Kenia Narez, Narez is shown wearing a real blue dress, holding a dead suckling pig. On “Whim No. 8”, the last photo in the series, Narez’s blouse is open and the pig appears to be sucking on her nipple. Not something you see every day.

In the series “The Rapture of Culture” by Damian Siqueiros, models of eager artists reach the sky in spooky settings. For Fernando Montiel’s “Nirvana”, a model artist is chosen to play Kurt Cobain, wearing a T-shirt with the effigy of Jesus.

The artists of “possible worlds” remain – as an edict on the wall of the poet / essayist Zbigniew Herbert would say – “a supporter of chaos”. For Jordana Pomeroy, director of the Frost Art Museum, “Becoming Mexico” and “Possible Worlds” are linked by the imaginative possibilities of photography. “Carrillo’s photos appear to be photojournalism, but they are clearly fictitious. The photographers of “Possible Worlds” embrace the fictional possibilities of modern photography and of Mexico itself, a capital of contemporary art. ”

Here at home, Miami has practically gutted itself with development. A more bohemian era of the city is presented in the galleries of the Center for Photography at HistoryMiami, funded in part by the Knight Foundation and now featuring “Tropical Wildlife: Portraits of Miamians, 1991-1996”. The exhibition draws from the archives of Tropic magazine of the Miami Herald, a mainstay of Sunday from 1967 to 1998.

In Tropic, the Herald published a work that endures as a testament to joy, loss and beauty. In a storefront, a hardcover volume of the weekly newsprint magazine opens to a crystalline article by Mirta Ojito, who then shared a Pulitzer while reporting on running in America for the New York Times. In the Tropic article, Ojito visits the AIDS service at Jackson Memorial Hospital and interviews Alfredo Otero, who once worked as a drag queen at one of Miami Beach’s most notorious gay bars. Ojito ends up documenting Otero’s last night on earth, also interviewing Otero’s mother. “His mother said he laughed all the way through his vices, his lovers, his illness,” she wrote.

From 1991 to 1996, the Tropic column “Tropical Wildlife: Distinctive Markings of South Florida Species” utilized the talents of local writers and photographers, including the wonderfully generous photos – all in color, grace and kindness – by Brenda Ann Kenneally. .

Journalist Michelle Genz has often written the accompanying text for Kenneally’s portraits, and their collaboration was targeted with the late Irene Williams, a public stenographer and amateur clothing designer / seamstress who used Lincoln Road as a catwalk in the 1990s.

Kenneally’s photo captures the demented spiciness and bravery of Old Beach of Williams, a shriveled little creature in pink tights with a matching handmade top and cap. In Genz’s text, Williams delivers the ultimate edit on his own massive collection of IreneWear hats: “It’s like a mushroom in my apartment.” (Williams is also featured in the current exhibit “If These Hats Could Tawk” at the Jewish Museum of Florida FIU, complete with his handmade hats, theatrical correspondence, and a wonderful Eric Smith documentary, “Irene Williams: Queen of Lincoln Road. ”)

The portraits in “Tropical Wildlife” keep a select group of locals frozen in time: artist Don Shearer and a young Marilyn Manson (who studied journalism at Broward Community College) with his group; clothing designer D’Eon Gosney and photographer Marcia Gelbart Walkenstein – screenwriter / television producer Larry Gelbart’s sister – in front of her wall mounted photo montage on Washington Avenue. Mayra Gonzalez from iconic 1990s South Beach boutique Findings is flanked by the luminous Gillian Sacco from vintage clothing store Blue Moon. The “Afrozotic” Jamiyla, the Trinidadian hostess of the old Shabeen restaurant, is beautifully, totally the in front of a mural by Martin Luther King Jr.

Art is a dance between the personal and the universal, and getting to know South Beach in the 1990s – I was the Swelter nightlife columnist for the Miami New Times at the time – brings a deep desire to experience “Tropical Wildlife”. Brett Love, the club’s famous kid at the time, is pictured in his purple jumpsuit and raised eyebrows. The famous person to be famous Monti Rock III is surrounded by feather boas and wears an open dress, letting his straight gut hang out and working the dialectic of portraiture like a star.

On October 25, HistoryMiami continued its review of South Beach with “South Beach, 1974-1990: Photographs of a Jewish Community,” featuring images of Gay Block, Gary Monroe, Richard Nagler, David Scheinbaum and the late Andy Sweet. For Michael Knoll, vice president of curatorial affairs for HistoryMiami, “History is always complicated: it’s hard to know what’s real, what is ultimately good and what is bad. But South Beach in the 1990s seems to have had some interesting characters. ”

Kenneally, the columnist for these characters, now divides her time between Maspeth, Queens and upstate New York, realizing the importance for a younger generation to document their own world. Working with Tina Menendez, vice president of education at HistoryMiami, Kenneally partnered with the 5000 Role Models of Excellence project and local high schools for video documentary projects, shown at the “Tropical Wildlife” exhibit. It’s sobering and powerful material: At Miami Northwestern, students interviewed mothers who had lost children to gun violence.

“Ever since the days when we took land from the Native Americans,” says Kenneally, “America has always been the same old story: the rich settle on free, open, fresh land, then break it up and pack it up. for capitalism. To me, the early South Beach people were landmarks, a living story on the streets to remember. ”

Tom Austin is the author of “South Beach Century,” a Knight Arts Challenge winning project that includes many of Brenda Ann Kenneally’s topics.

What: “Becoming Mexico: the photographs of Manuel Carrillo” and “Possible worlds: photography and fiction in contemporary Mexican art”

When: “Becoming Mexico” is on view until September 17; “Possible Worlds” is on view until October 8

Or: Patricia & Phillip Frost CRF Art Museum, 10975 SW 17th St, Miami

Info: Closed on Mondays. Free; 305-348-2890;

What: “Tropical fauna: portraits of Miamians, 1991-1996”

When: Until September 17

Or: HistoryMiami, 101 West Flagler Street, Miami

Info: Closed on Mondays. $ 10; 305-375-1492;

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Two magnificent exhibitions of Japanese photographs from the post-war period to the present day at SFMOMA Tue, 15 Nov 2016 08:00:00 +0000

Until early next year, the New San Francisco Museum of Modern Art (SFMOMA) shines the spotlight on Japanese photography in two exhibits: Japanese photography from the post-war period to the present day and New work: Sohei Nishino. These exhibits celebrate the museum’s commitment to the hugely important work done by Japanese photographers from the post-war revival in the 1950s to the present day.

Japanese photography from the post-war period to the present day, available until March 12, 2017, highlights SFMOMA’s extensive collection of Japanese photographs, focusing on the gifts and gifts pledged to the museum through the Campaign for Art, including the large donation of more of 400 works from the Kurenboh collection, Tokyo. With nearly 200 works in the museum’s collection, Japanese Photography from Postwar to Now will be on display in the new Pritzker Center for Photography.

Thematically organized, the exhibition explores topics such as Japan’s relationship with America, changes in cities and countryside, and the emergence of women – especially Miyako Ishiuchi, Rinko Kawauchi, and Lieko Shiga – as as important contributors to contemporary Japanese photography. The exhibition will also include various forms of photography, from daguerreotypes and chromogenic prints to photomontage, as well as more than 20 important photography books.

Sohei Nishino, Diorama Map London, 2010; courtesy of the artist and Michael Hoppen Gallery, London

New work: Sohei Nishino will be on display until February 26, 2017. The gallery is located on the fourth floor of the museum and displays recent works by Dioramas Cards, including a new map of San Francisco made especially for the exhibit.

Sohei Nishino started her Dioramas Cards series as a university student at Osaka University of the Arts. After researching the city of his choice, Nishino spent up to two months walking and photographing the urban environment, capturing thousands of images of streets, alleys, corners and views from under every shade. imaginable angles. He then prints his contact sheets, cuts out the individual frames and places them by hand on the cardboard. Through this process, Nishino creates a large-scale pasted map that expresses a truly personal interpretation of the location presented. After the collages are completed, Nishino digitally photographs and presents them as large-scale, high-resolution prints, often as large as 6 x 7 feet.

SFMOMA tickets are free for those under 18, $ 19 for 19-24, $ 22 for seniors and $ 25 for adults. SFMOMA has collected and exhibited photographs since its founding in 1935 and was one of the first American art museums to do so. Today, the collection of photographs includes more than 17,000 objects and constitutes the largest collection in the museum. Its highlights include outstanding examples of works by West Coast Modernist masters like Ansel Adams, Edward Weston and their East Coast counterparts like Alfred Stieglitz and Charles Sheeler.

Written by Carlos Olin Montalvo

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DC’s 10 Best Photo Exhibitions of the Year Mon, 22 Dec 2014 08:00:00 +0000

DC’s top photography exhibitions of 2014 had a strong sense of place – from Mexico to Maine, early 1960s New York to mid-1970s Los Angeles, 19th century Burma to contemporary Ghana, and even a little cameo from Washington, CC

Here are, in descending order, my picks for the best photo exhibitions in the DC area this year.

1. Alejandro Cartagena in the Art Museum of the Americas